Mark Rothko - Artist Research Paper Example | Topics and Well Written Essays - 1500 words

Mark Rothko - stratagemist - Research Paper ExampleThe wallpaper Mark Rothko - Artist focuses on Mark Rothko. The young Marcus life was out of the question. Travel towards the man of the humanities from a childhood filled with religious and political ideals started when the Rothkowitz moved to the U.S. evading the pressing political situation in Russia. Leaving Yale was the onset of Marcus art career particularly when he saw a sketch sitting during a visit at the Art Students federation wherein later on he enrolled on angiotensin-converting enzyme of the art classes. His early artworks were greatly influenced by Max Weber, a mentor at the Art Students League and a Russian immigrant like Marcus. Marcus early works are figurative bordering mostly on the expressionistic way of painting. His works before shifting to abstract expressionism always vary and as seen in his paintings such as the untitled painting of three nude women painted in between 1933 and 1934, his work characte risation children at the doorstep in Street Scene do in 1937 and a self-portrait done in 1936 only certifys that just like any workman, Marcus was searching for a specific art style to give up for his ideas. Among his attempts to make his presence felt in the art scene is the small show at the Museum of Art in Portland in 1933 displaying some of his paintings and works on paper and his first one man show in 1947 at the with his first one man show at the Parsons Gallery. Symbolism in the creative persons works paved way to an art style that freed not only the artist from the bourn of the existing art styles during his era. but released him from the restraints of his religious and political upbringing. Changing his name from Marcus Rothkowitz to Mark Rothko symbolized the birth of an artist liberated from the constraints of his past and the dominating art styles at that detail. Rothko in the 1940s had shifted into an art style called abstruse which is a synthesis of mutilated figures, myths and symbols painted in hazy and luminous colors. (Breslin 232). The artists tangled period served as his transition period towards a more individualistic and unfettering style for Rothko. Examples of his work during this period are The Omen of the Eagle done in 1942, Sacrifice of Iphigenia also painted in 1942 and Gethsemane which was done in 1944 all of which were filled with symbols, inspired by myths and teachings of Judaism. In these paintings, Rothko obviously endeavors to create a more personal art form by featuring familiar subjects that the artist had lived with throughout his life. From artworks bombarded with symbols and myths, Rothko arrives at a lodge that even he was worn-out of incorporating them on his paintings. He started eliminating concrete figures in his painting, one of his paintings that demonstrated the figureless style was Number 7 painted between 1947 and 1948. Along with eliminating concrete figures from his artworks was Rothkos discarding of using prolix titles and employ numbers instead or deliberately leaving the